Věra Chytilová's Ovoce stromů rajských jíme (Fruit of Paradise) is an audacious combination of allegorical narrative and the avant-garde. Above all, it plays with the idea of searching for "truth" and questions our ability to accept it. It is a reflection on the nature of the film itself, as well as a personal testament of its reputedly "cynical" director's commitment to "telling the truth." It is a vivid testimony to the role of the "avant-garde" in 1960s Czechoslovak cinema.
(...)
However, montage is more or less dispensed with, in favour of a plethora of visual associations and mental juxtapositions that are orchestrated through a succession of semi-improvised "happenings".
http://www.ce-review.org/01/17/kinoeye17_bird.html
(...)
However, montage is more or less dispensed with, in favour of a plethora of visual associations and mental juxtapositions that are orchestrated through a succession of semi-improvised "happenings".
http://www.ce-review.org/01/
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